The Series is on as I type this, but Flesh for Frankenstein and Blood for Dracula are on Pluto now. I'm not sure either are very good, but they're distinctive. Udo Keir just gave a seeming 10-minute dying soliloquy...Pluto's Universal Monsters channel has alternated between its regular schedule, relatively recent horror movies, and long marathons of the Munsters. I did like Cry Wolf, in which some private-school brats make up lies about a murderer, that maybe lead to some murders. The Atticus Institute was a 70's-flavored faux-documentary about psychic research, then demonic possession: not a great one, nor well-reviewed, but it hit some marks for me. Oh, and I'd been wanting to see the Lair of the White Worm again, and Pluto delivered there, too! That's another that might not be for everyone, but it's striking, and hey, Peter Capaldi!
Over on Shudder, I think most horror fans liked In a Violent Nature more than I did; but there's one kill in it that is spectacularly brutal. It felt ponderous to me, though; like a Friday the 13th with a swelled head about itself. Azrael was OK, didn't like MadS, you should have seen Audition already, didn't like Daddy's Head, I liked the WNUF Halloween Special better than the latest V/H/S but both have moments. Oddity is, well, odd, but likable. The Demon Disorder has John Noble, that's always worth a look. I didn't love All You Need is Death, but it was something new, and it set up a great joke on BlueSky's Simpsons Books. (They had a good one for Oddity as well!) Saw Eight Eyes and Hell Hole; okay. Humane wasn't bad...did I watch all of these this month? Well, maybe. #ChadGetsTheAxe feels like I've seen that same movie forty times on Shudder alone, but honestly watching influencers get hacked up is entertaining...(in horror movies, not really!) See also: Mean Spirited. Herd has zombies and rival militias; I'm not sure which annoyed me more. Backcountry suuuuuucked; bad choices, unlikable characters, you may have heard me cheering for a bear to eat a guy. Oh, but Dr. Caligari is a campy cult classic, that visually reminds me of Liquid Television, and I really liked Stopmotion because I thought it maybe had a good message: make a movie (or comic, or whatever!) you would want to see. And the Stone Tape, 70's BBC terror from Nigel Kneale.
Somehow, I watched a few more after typing all that! Eli Roth's the Green Inferno really, really liked Cannibal Holocaust, and I don't get the ending: the last survivor lies about the cannibal tribe, to implicate big-business encroaching on them, but why? Somebody's going to think "ooh, friendly natives!" later and they specifically weren't. I only caught part of Christina Ricci's the Gathering, but I saw enough that I would've been annoyed if I sat through the whole thing. I liked teen movie spoof/time-travel puzzler/slasher Detention much more: the horror aspect isn't as strong, but it's good fun, and seemingly had a massive budget for music licensing!
Woof! I also watched some DVD's! I may or may not have finished the complete Night Gallery set by now. Hmm, maybe not, I was up to season two episode 9 now. I also watched my Hammer horror favorites, Quatermass and the Pit, Frankenstein Created Woman--I love the Peter Cushing Baron, an amoral steamroller for scientific advancement at any cost that usually ends each movie in a massive fiery explosion but is back at work the next installment--Dracula: Prince of Darkness, and the Shaw Brothers crossover Legend of the 7 Golden Vampires, which is kung fu fun.