We mentioned this one yesterday, but here goes: making an exhibition at a track meet in Star City, Black Canary saves a pole vaulter from a sabotaged pole, but the spotter who cut said pole is killed by an arrow to the back. An arrow with multicolored fletching, that emitted a bright flash of color when it hit. Canary asks Green Arrow who could've made a shot like that, and Ollie starts by denying it was him. Well, yeah, Ollie.
Ollie then runs down a couple of other archers who maybe could've done it, in terms of pure archery--Speedy, the late Blue Bowman--before the rainbow flash comes up again. Oh, yeah: maybe the Rainbow Archer, then.
Man, those Robin-booties are not helping. Looking him up, he was a former counterfeiter who turned to archery to try and get revenge on Green Arrow; and now he's color-coordinating his murder weapons. That seems like a bad idea from a legal standpoint...From World's Finest #244, "Rainbows of Doom" Written by Jack C. Harris, art by Mike Nasser and Terry Austin.
Friday, January 30, 2015
Thursday, January 29, 2015
From 1977, World's Finest #244, featuring stories by Bob Haney, Dennis O'Neil, Tony Isabella, Jack C. Harris, and more; with art by Mike Nasser, Jose Luis Garcia-Lopez, John Calnan, and more. With a Neal Adams cover!
The cover is suitably dramatic, although it leads into a typically oddball Haney story: three mobsters across the county are murdered, by bullets that came out of nowhere, one of which went through the mobster's dog without hurting it! Working the case, Batman and Superman check out surveillance film of the mobsters, looking for someone tailing them, and find...Superman? Supes denies having been anywhere near the mobsters, but he could've done it...when word is leaked that Supes is under suspicion, Commissioner Gordon has no choice but to put Supes "in honor custody until Batman can clear you!" Batman works the case for 24 hours, but gets nowhere; so he decides to take a break and put in an hour at Wayne Enterprises. Ooh, a whole hour!
Wayne sees L.C. Barton of Red Star Ventures, who needs a certain alloy for construction of a giant solar power grid in Arizona. Needing the alloy in two days, Barton dumps a suitcase full of money on Wayne's desk to have the alloy shipped by air. Superman then arrives, having left a robot to cover for him in jail, and points out some clues "the world's greatest detective" may have missed: Barton's pulse was very slow, 20 beats per minute, and synced with his watch. The cash he paid with was from 1974, yet felt unusually old. And Barton passes out in the street, but then recovers quickly when Superman replaces the watch. Batman sneaks into the trunk of Barton's limo, and Superman follows invisibly at super-speed, as the limo drives into another dimension, to arrive in Arizona under an hour from Gotham City! (This would mean more if we knew how far away Gotham was from Arizona...)
Supes and Bats check out Barton's set-up, before he confronts them, revealing his real name as "Robespierre 2," and that he knows their secret identities, since he's from the future. Robespierre used the model of his solar station to test his invisible death ray on the mobsters, healing the dog since he loved animals. But the model was just a test, since he was going to use the completed station to kill everyone on earth. From a future filled with war and death, the scientists of the orbital settlement he was raised on sent Robespierre back in time to destroy humanity, a preemptive mercy killing. Framing Superman and getting Bruce Wayne to supply a needed component were just to keep the heroes occupied--wow, that seems convoluted, even for a Haney story! Superman tries to explain that merely by coming back in time, he's changed his future; but Robespierre doesn't buy it, and zaps Supes with red sun energy, then sets his hired hands on Batman. (They're just workers hired for construction, and Robespierre tells them Bats is an industrial spy in disguise; which is such a dumb excuse Batman may be holding back out of pity.)
Recovering, Superman uses a quartz asteroid to block red sun energy from the star Betelgeuse--reasoning the converter must've been getting red sun power to affect him--and stops Robespierre's weapon from getting enough power to destroy humanity. (Or do anything, it didn't even blow up Arizona.) Robespierre is then zapped back to his time, which may or may not even happen now; but again, DC seemed to assume there would be a nuclear war or biological disaster or some other terrible thing between the present and the pretty utopian future of the Legion of Super-Heroes...
Also this issue: Black Canary versus the Rainbow Archer! (Hey, no laughing! Actually, we're going to come back to that one tomorrow, since it features one of the dumbest exchanges I've ever seen in comics.) Green Arrow versus Slingshot! And Vigilante and Wonder Woman stories, both involving a crap-ton of dynamite.
Wednesday, January 28, 2015
As per usual, our heroes have made absolutely no forward progress. This is somewhat intentional, since there are tons of games where you have to keep going back to a central location like the Meegan station.
And the sickbay is a pretty traditional set in sci-fi TV; unfortunately here it's one Deadpool has devoted absolutely no thought to.
Tuesday, January 27, 2015
Is there anything better than finding an old comic from your childhood? How about a dollar-bin copy! From 1974, Action Comics #442, "The Midnight Murder Show!" 'Teleplay' by Cary Bates, 'art design' by Curt Swan and Kurt Schaffenberger, 'directed' by Julius Schwartz.
Thirty million people tune in every night for the Midnight Show, hosted by
Lombard bumps Clark Kent as a guest, when a better one arrives: Superman himself! Who's there to reveal his secret identity, live on the air...Johnny Nevada? Actually, Nevada explains, at Superman's behest, he traded identities with the Man of Steel for a day; meaning McCoy's 'victim' is really Superman! An elaborate ruse, that McCoy doesn't buy, and he shoots Nevada--which was precisely Superman's plan, as he used his super-hearing to find them! And of course, Superman is faster than a speeding bullet!
Meanwhile, back on the Midnight Show, Superman has just disappeared...and so has Clark Kent, leaving Lombard scrambling to fill eight minutes of air-time.
It may have been almost forty years since I've read this issue, so I was thrilled to find it.
Monday, January 26, 2015
I'd been holding out on them for a while, but I got the Marvel Legends Winter Soldier and the Captain America in the darker, movie suit; for half-off at a calendar place. Mostly, they're here to complete the Mandroid! And I managed to use all the parts I had from the Winter Soldier figures, since I had extra arms from buying Zemo, Red Skull, the Hydra Soldier and A.I.M. Soldier.
The Iron Monger and Mandroid actually do have a lot of reuse, which reminded me of DCUC's reused robots, S.T.R.I.P.E. and Stel.
The DCUC guys are good-sized, but I'm not sure we'll see Build-a-Figures any bigger than the Mandroid any time soon. And only took me a year and a month to complete him!
Friday, January 23, 2015
At a calendar place in the local mall, I got the recent DC Collectibles New 52 Superman, for half-off. Not a bad deal, but DCC would make leaps and bounds in the articulation department in the years since this figure. Still, it's an excuse for a bit of fun with the DCUC New 52 Batman, Kandor, and this Kryptonite from a little book.
Thursday, January 22, 2015
This tag probably won't be back full-time, but we have our first 80-pager for 2015!...and it's from 2011. The Unexpected #1, with stories and art from Dave Gibbons, G. Willow Wilson, Jill Thompson, Farel Dalrymple, Brian Wood, David Lapham, and more.
Like the Ghosts and Strange Adventures ones we checked out before, The Unexpected was an 80-page anthology book for $7.99 cover; which seems like a tough row to hoe in the current comic market. It would sell (per the Beat) 10,416 copies, of which I just bought two! And I thought Unexpected was the strongest so far.
Dave Gibbons opens with "The Great Karlini," a tale of an escape artist, who might not be able to escape his nature...or a father-in-law's promise. Next, G.Willow Wilson's "Dogs" has the titular animals getting sick and tired of bad people, and maybe thinking they could do better. (I'm 90% sure my dog wouldn't have replaced me. Might've hogged the remote, at most.)
Alex Grecian and Jill Thompson bring a different zombie story, "Look Alive," and that one's a lot of fun. Next is Joshua Dysart and Farel Dalrymple's "The Land," featuring monsters both figurative and literal from both north and south of the border; then "A Most Delicate Monster" from Jeffrey Rotter and Lelio Bonaccorso, in which a scientist studying a cloned Neanderthal learns much but not enough.
"Family First" has a brother and sister fighting for survival--and fighting dirty--and "Alone" is a