Thursday, May 11, 2023
Could've sworn I already blogged Red Sonja #2; what the hell...
This was the same year as the other one? Come on! From 1983, Red Sonja #2, "The Sea That Steals!" Plot by Christie Marx, script by Roy Thomas, pencils by Ernie Colón and Alan Kuperberg, inks by Alan Kupperberg.
While this was Sonja's second #2 at Marvel, this was also the last issue of this series: they may have thought reformatting to longer stories was the way to go, and why not see if they could get a first-issue bump again...within a year of the last one. (I don't think Dynamite plays the first issue card as often; but Sonja has definitely had a ton of first--and second--issues in the years since!) Sonja is working as bodyguard for an Aquilonian diplomat and his daughter, and has also picked up Zora, the red-haired survivor of a cult who claims Sonja was her sister. There's also a pirate who turns out to be the diplomat's brother, and a creepy statue and demon, and an unnecessary continuity patch. Yeah, it's another plot-heavy one. In the end, the daughter goes to live the pirate's life with her uncle...which is portrayed as a happy ending? And that pirate didn't exactly have a heart of gold, even if he treats his niece well; but he gives her a new name: Valeria! Which doesn't line up, and I'm surprised Thomas didn't catch it: even just in Conan stories from Thomas himself, Valeria and Sonja were closer in age, but this would've been at least a ten-year difference.
I don't know if that next issue blurb lined up with her actual next issue; but odds are even if it didn't that story probably ended up somewhere, Savage Sword of Conan maybe. Marx also had a lot of TV writing credits, and I wonder if the supporting cast here wasn't originally intended to maybe be around longer than two issues.
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2 comments:
I know it was an innocent time back then and all, and this fantasy adventure, but honestly? The realizations & implications behind a little girl living with a bunch of pirates doesn't actually fill me with a lot of optimism about there being potential for unsavory situations to occur. Ooof.
The next issue blurb is half right, though I imagine they'd meant for Roy and/or Christie (who's best known for the Jem and the Holograms cartoon) to write it. I suspect the renumbering after this was because of the (likely) unexpected creative team changing. Like I said with the other issue, the first year or so was basically one continuous story so it makes sense to reset for that as well. Also, this volume was quarterly and the next was monthly so that's a decent reason too.
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