I don't think Claremont was ever shy about wearing his influences on his sleeve; and this feels like a speedrun through Bram Stoker's novel. But the character work, and the art, make it a great one. If you were a fan of the alt-universe series Mutant X, this issue was a load-bearing plot point, as Ororo didn't resist there and gobbled Kitty up to become the vampire Bloodstorm. I also think I read Claremont's Dracula, long, long before I'd ever get to read Tomb of Dracula: those I probably didn't see until the 1993 reprints.
Tuesday, May 13, 2025
I did pick up all four issues of Claremont's Superman/Wonder Woman: Whom Gods Destroy Elseworlds, but I haven't had time to flip through them yet, and they probably won't fit in the scanner anyway. This issue does, though! From 1982, Uncanny X-Men #159, "Night Screams!" Written by Chris Claremont, guest-pencils by Bill Sienkiewicz, inks by Bob Wiacek, letters by Tor Orzechowski, colors by Glynis Wein.
This was a lead-in to X-Men Annual #6, one of my first X-reads and still a classic. The X-Men stop off at Misty Knight's apartment, but instead meet her roommate, model Harmony Young. The X-Men had arrived in costume, but Kitty had to change for dinner with her parents: Ororo didn't have clothes for it, but Harmony gets her dressed up. Still, later when Kitty calls the apartment, Ororo had left hours ago, but hadn't arrived back, as we see her laid out in an alley.
Logan and Piotr rush to the hospital, where Ororo had been brought in. Having lost a ton of blood, the doctor wanted to do a full transfusion, but couldn't because of unusual elements in her blood. The X-Men were still largely secret back then, and Logan worries the doctor was very close to putting two-and-two together; but then Ororo seems completely fine, save not remembering who (or what) attacked her, and she has a momentary twinge of fear at the night, that passes after she thinks she saw eyes in it. Back at Misty's, the worried guys tuck her into bed (and Bill appears to misdraw Kurt's hand turning out a light, on an otherwise amazing page!) but Ororo's rest is troubled, until she opens up the windows, and a fog sweeps in...
When Kitty arrives back two days later, she finds the guys moping, as they were at a loss how to help Ororo, who seemed to be losing the will to live. Kitty rushes up to see her, and opens the drapes; Ororo protests that "the sunlight...hurts." She also has a fancy scarf, embroidered with a 'D,' around her neck; "a...gift, from an admirer. But how can that be? He's a figment of my imagination." Ororo flinches, when the light reflects off Kitty's Star of David, and while Kitty starts putting it together, Ororo shoves her away. It's Dracula, haven't Kurt, Logan, or Piotr read a book or seen a movie? Well, this issue does predate Fright Night, so I guess they've got some excuse: probably less, since I'm pretty sure it's been retconned since that Logan had run into vampires before, and possibly even Kurt as well. (Kurt seemed at least aware they existed in the Marvel U. and Logan himself later mentions he's "seen the movies!")
Dracula shows up, to take Ororo away, but Kitty makes a valiant if ill-advised attempt to stop him alone, with a kicky little hat and a cross. Which fails miserably, since she wasn't Catholic or Christian or whatever; but her Star of David saves her from Drac's chokehold. Still, she can't stop Dracula and Ororo from flying away, as the guys arrive. Logan is skeptical, but Kurt trusts Kitty; and either way they can't just let Ororo take off. Logan tracks her to Central Park, where Dracula confronts them, with some wild dogs to even up the numbers. Kurt gets clobbered, Logan whiffs a fastball special when Dracula turns into mist, and even Piotr is thrown back. Logan tries to make a cross with his claws, but he doesn't believe. However, Kurt does, and staggers Dracula for a moment, before he summons lightning, which Kurt can barely teleport ahead of...
Kitty had slipped away, to try and find Ororo, and finds a coffin deep inside a weather station. She fouls it with holy water--I'm mildly curious where she got that, but you can get anything in NYC. Kitty then gets smacked by Ororo, who isn't really a vampire yet, but her mind had been warped. Kitty tries to reach her, saying Ororo had been "a goddess consecrated to life," and drops her stake, refusing to fight her. Meanwhile, Kurt tries to turn Dracula's lightning against him, teleporting over the vampire, but that just seems to knock out all the X-Men, leaving only Dracula and Ororo standing. Dracula orders her to kill them, but she turns on him, hitting him with another lightning bolt! Dracula takes a bat-man (or Man-Bat!) form and takes off, taunting Ororo that she was still is, but she knocks him through a window with an arctic wind. Dracula takes a hostage, but Ororo refuses to become a vampire, or to kill: "I was born free, vampire, and free I will remain." Dracula admits, she had earned her respect, and takes off...for now.
As the sun rises, Ororo returns to the X-Men, and hugs Kitty for her braveness. But the X-Men don't have long to rest, as they get a phone call from Moira MacTaggert: Professor Xavier's condition had taken a turn for the worse...
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3 comments:
It certainly seems like a natural progression for the X-Men to confront not just Dracula, but all sorts of supernatural creatures like vampires, werewolves, etc. Claremont did a very good job seamlessly blending those two particular Marvel characters together in solid story.
Probably just me, but every other encounter with Dracula & vampires since this just never really did it for me.
When the heck did summoning lighting become a vampire power?
I think the only "Dracula in the Marvel Universe" stuff I have is the two throwdowns he had with Dr. Strange (both collected in The Montesi Formula tpb.) Those were pretty solid stories. Anyway, crazy to think Claremont crammed all that in just one issue.
That’s back when good writers could do that without dragging things out for the trades.
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