Thursday, February 19, 2026

Maybe Olivier will defend the trademark on that skull better than Marvel/Disney has. Maybe he won't...

OK, so I mentioned reading the first issue of this one, just over a year ago, and I'm just getting around to reading them all now? And I'm not 100% sure I haven't read it before--or maybe I've just read the first issue more than once. From 1999, the Punisher #4, "Purgatory, part 4: the Hour of Judgement" Written by Christopher Golden and Tom Sniegoski, pencils by Bernie Wrightson, inks by Jimmy Palmiotti.
The conclusion to the four-issue Marvel Knights 'Angel' Punisher mini, which begins with Frank and the angel Gadriel captured by the demon Olivier, who thinks Frank might know him better by his former human identity, Boss Costa. 'Costa' had been behind the killing in Central Park, a blood sacrifice that led to the deaths of Frank's family; but he was also a devil, forced out of Hell to live as a human, and playing the long game to get back in. He had orchestrated the creation of the Punisher, insuring every kill was a sacrifice to him, even his own: Frank murdering 'Costa' put Olivier back in Hell as his old self. Gadriel wasn't blameless in this, either: he had been demoted multiple times, finally to the position of Frank's "guardian angel," and we can all agree his job performance there wasn't sparkling. Worse, Gadriel hadn't been there when Olivier's demons forced Frank to kill himself, but had resurrected him, since he couldn't get back into Heaven unless Frank forgave him. Typing all that, it does feel like a lot to bolt onto a perfectly servicable origin: "They killed his family. Now he kills them." Simple! Although, Olivier is a clever bit of design, with the skull-motif on his face, to make it seem like it was, to misquote the Omen, "all for him!" (Yeah, tell all the cops and chuds co-opting the skull that it's a Satanist symbol; see what that does for anybody...)
This is maybe to set up a new mission for Frank, more about redemption than vengeance. Yeah, that stuck even less than the angel stuff. Daimon Hellstrom and Dr. Strange both make brief appearances in the end, planning to keep an eye on the Punisher for their own purposes; and while Wrightson is great, neither looks quite right? It's kind of a minimalist Strange that makes him look like some kind of...opera pervert; while Hellstrom looks like a redheaded Fabio. Also, a devil or two escaped, presumably for use in future stories, but the 'Angel' Punisher only had one left, the Wolverine/Punisher: Revelation mini. I'm not sure, and kind of doubt, it wrapped up all the loose ends, but maybe.

1 comment:

Mr. Morbid said...

Just going solely off memory, you’d be correct in assuming that miniseries didn’t really tie up loose ends so much as look like an unofficial advertisement for a Wolverine/Punisher anime movie and/or series, which I totally watch either way. The Pat Lee art was the main draw for me more so than the actual story, but that’s typically just why I usually bought what I bought back then. Pat Lee’s Dreamminds was out around the same time I think but could be wrong, and I’m sure you may remember his run on Transformers as well afterwards.

Damian definitely looks like Fabio here, but at least Strange looks relatively normal.

All in all, while it proved to not be the best gimmick for Frank, I appreciate the fact they tried to do something different that particular go round. It just didn’t work. Probably paved the way for Frankencastle tho 🤷‍♂️