Monday, April 21, 2025

Yes, Yap, I don't have a lot of friends my age, thank you.

Even though he'd get a full, if brief, series after this; I don't remember if this was received well. I feel like it wasn't ideologically pure enough, somehow, for actual anarchists; or maybe I just saw somebody grousing about it recently. Still, setting the hero up with the doubly-impossible mission of somehow changing society, when society has got freaking Batman enforcing the status quo, confirms failure is the only option. But, there are lessons to be learned from this one, like explaining about every poor person that goes against their own best interests and votes Republican. From 1997, Anarky #2, "Metamorphosis, Part 2: Revolution Number 9" Written by Alan Grant, pencils by Norm Breyfogle, inks by Joe Rubinstein.
Occasional Bat-villain Lonnie Machlin, Anarky, had by this point "fused the hemispheres of his brain together," vastly increasing his intelligence. He was working on a project that he thought would save the world, particularly from "priests, parasites, and politicians!" Part of his plan hinged on using quartz batteries to absorb mystic energies, and in the previous issue he had gotten some from Etrigan the Demon, nearly dying in the process. But Etrigan hadn't been able to tell Lonnie anything about the nature of evil; so next stop, Apokolips. As three escaped workers are about to be executed, Anarky teleports in, with his captured demon Blasfemy, and interrupts things; which draws the attention of Darkseid. Or, at least, "an avatar" of him: the guards are Omega Beam'ed for their failure, and the workers sentenced to report for "torture and death," which they do meekly. Through insolence and piquing Darkseid's interest, Anarky manages to wheedle a meeting with him; where he asks about evil. What was the point of Apokolips and all that suffering?
Darkseid does roll out the cliche "good and evil are only relative," which Anarky had expected; but Darkseid also demonstrates how he allows hope, just so he can crush it. He considers crushing Anarky as well, but does find him bold and intelligent; at least until Anarky tries to use his back-up teleporter to escape and fails miserably. (I think the same thing happened in Robin Annual #1, where his back-up plan also failed, leaving him up a creek.) Worse, Blasfemy breaks free from his control, but is nowhere near a match for even an avatar of Darkseid, and the demon is destroyed. Anarky knows he's done, but tells Darkseid he'll die knowing he was right; and Darkseid decides to let him live...perhaps so he could learn otherwise.
Before he goes, though; Darkseid shows him the escaped workers: they had been promoted, and were now overseers. Even though they were themselves covered with scars, that didn't seem to slow their whipping hands in the slightest, as they repeat the same slogans they used to be beaten with. This stuck with me, and I hate that page so much, because Darkseid's right: everybody thinks, someday they'll be the one with the whip, and then look out.
Darkseid returns Anarky to earth, but Anarky explains to his dog Yap, "Science is magic explained." He had absorbed more energy, and his plan was moving forward...Next issue, Batman beats the tar out of an orphan he didn't adopt! And, looking it up, Alan Grant really liked the original Anarky limited but not the ongoing, which he took just to get Breyfogle work. (Breyfogle was the Batman artist for years, until he just wasn't; I don't think DC did right by him.) Pre-New 52, Lonnie was crippled, and replaced with a more generically-villainous Anarky; because that's easier. He has appeared in the new continuity but scarcely a shell of the old version; and I'd say Anarky was past due for re-assessment: not unlike Poison Ivy, he may have been considered a villain but was in the right more often than not, if you can stand to look.

6 comments:

  1. Mr. Morbid6:49 AM

    You definitely gotta’ admire the brass pair on ol’ Lonnie to actively want to engage in a philosophical discussion with Darkseid of all people.

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  2. There's a bit on Futurama where they're at a Presidential debate and Nixon promises to cut taxes on the rich and use the poor as a source for teeth to be ground into cleaning products. Fry cheers, and when Leela points out he's not rich, Fry responds, "But some day I might be." I think about that often, and then I consider taking up heavy drinking.

    I feel like I read once - maybe on CBR's Comics Should Be Good blog - that DC stopped using Breyfogle because of something about how they changed the coloring in their books. Something about wanting to switch to more digital coloring, and it wasn't doing his art any favors?

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    1. Mr. Morbid11:19 AM

      That feels like a huge corporate cop out to me

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  3. I think it was more about clearing out that whole group of people from the Batman end of DC. Norm was more Alan’s main Batman artist at that point, and I know that guys like Doug Moench and Chuck Dixon convinced editorial to push Alan out of the Bat-books around the time of No Man’s Land. It seems like most of Alan’s regular artists got pushed out then as well.

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    1. Anonymous11:20 AM

      Oh? What happened on that end to facilitate all that? Wasn’t Denny still the overall Batman editor at the time?

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    2. Yeah, but Denny was pretty hands-off at that point. Most of the work was being done by assistant editors, and they were all relatively recent hires (since there had only been 3 or 4 Batman books pre-Crisis, and the number had more than doubled by then). He basically just signed off on whatever they did. To his credit, he did call Alan personally to let him go and was very nice about it.

      Like I said, guys like Doug and Chuck didn’t like the direction Alan was going in his books. Also, he wasn’t really playing along with the big crossover events they wanted to do. They sort of went behind his back to convince the assistant editors to get Alan taken off his books.

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