So, a month or so ago we were talking about multiple Batmen display options, and I mentioned this issue, but couldn't find it. It was easier just to buy another copy: Superman: the Man of Steel #37, "Countdown to Zero" (which was probably the title of like three other Zero Hour crossovers) Story by Louise Simonson, pencils by Jon Bogdanove, inks by Dennis Janke.
Although it's pretty memorable for the gimmick, this one had the potential to be one of the best Zero Hour tie-ins, but it doesn't quite deliver. Perhaps valiantly, they keep their ongoing plotlines going, crossover or no. Still, one of those involves a vampire heavy metal singer playing a benefit concert for Metropolis, so while I appreciate the effort, I wish they had just gone with the A-plot.
Batman shows up in Metropolis, in person since the city had recently been nearly demolished by Lex Luthor; to warn Superman of a time anomaly that was causing people from the past to suddenly appear. This Batman's a Neal Adams-era version, who has no recollection of recent events like Bane breaking his back. Two more Batmen appear shortly, Dark Knight and Bob Kane models.
Somewhat surprisingly, they're all pretty cool with each other. I mean, if Zero Hour came out now, it feels like Batman would be the one to give his alternate versions the hassle; accusing them of being fakes or white Martians or thou shalt have no Batmen before me or something. I think the future Batman would be content to see other versions of himself that might have an easier time of things or come to a better end; while the past one would probably be thrilled to see he could be successful enough to have a legacy.
Although it's pretty memorable for the gimmick, this one had the potential to be one of the best Zero Hour tie-ins, but it doesn't quite deliver. Perhaps valiantly, they keep their ongoing plotlines going, crossover or no. Still, one of those involves a vampire heavy metal singer playing a benefit concert for Metropolis, so while I appreciate the effort, I wish they had just gone with the A-plot.
Batman shows up in Metropolis, in person since the city had recently been nearly demolished by Lex Luthor; to warn Superman of a time anomaly that was causing people from the past to suddenly appear. This Batman's a Neal Adams-era version, who has no recollection of recent events like Bane breaking his back. Two more Batmen appear shortly, Dark Knight and Bob Kane models.
Somewhat surprisingly, they're all pretty cool with each other. I mean, if Zero Hour came out now, it feels like Batman would be the one to give his alternate versions the hassle; accusing them of being fakes or white Martians or thou shalt have no Batmen before me or something. I think the future Batman would be content to see other versions of himself that might have an easier time of things or come to a better end; while the past one would probably be thrilled to see he could be successful enough to have a legacy.
Still, despite a skirmish with the mutants from Dark Knight Returns (or not, they could be just lookalike vampire hunters...whatever) all the Batmen eventually disappear; as the current timeline's Batman shows up to warn Supes about that time anomaly. Supes is too polite to tell Bats he got the memo.
The issue ends with Metron showing up with his usual premonition of doom, while Jor-El and Lara show up at the Kents farm, probably to see why their son wasn't raised traditional Kryptonian or something. And I like Metron, but he's like the Phantom Stranger: does he ever show up when things aren't circling the drain? Could just stop by every once in a while and say everything's going great, Metron. Just a thought.
1 comment:
I like Metron too, but he IS kind of a pain. On the other hand, all those different Batmen are just so...cute! I especially like how the Dark Knight version looks so constipated.
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