Tuesday, July 10, 2012

Sadly, the book was cancelled before Conan faced the "Men of X."


Whether you're a fan of the character or not--and by god, you should be--you'd have to admit Conan the Barbarian had a pretty successful run at Marvel Comics. From his first issue in 1970, Conan would have a 275 issue run (and I would dearly love to have that last issue for "The End" Week...) as well as 235 of Savage Sword of Conan, 55 of Conan the King, and other spin-offs.

Then there was his 1995 relaunch, simply titled Conan. Even with Larry Hama and Dan Abnett writing, and art by Bret Blevins and Enrique Alcatena (on a few issues...) the series didn't seem to catch on. Today's issue? Didn't help. Conan #7, "Man of Iron" Written by Larry Hama, art by Bret Blevins. One look at the logo and you have a pretty good idea what you and Conan are in for; and I'm pretty sure there was another issue around that time with Conan meeting a grim-yet-familiar warrior who's family was killed before his eyes, who took a skull for his emblem...

Working as a mercenary, Conan is hired by a duke to put down a "freeholder with territorial ambitions," with the promise of pillaging and looting. However, the duke and his men end up put down, with Conan the only survivor, facing a Man of Iron. I'm not completely sold on the design, but at least Blevins doesn't just put an Iron Man armor with more spikes and a bigger codpiece in there. Fighting viciously, Conan knocks the Man of Iron's head off, which does nothing; and gets slapped down by the flat of an axe.

Carried off the field of battle by shield-maidens, Conan wakes up in a garden surrounded by scantily-clad babes; but suspects treachery. He is introduced to siblings Ragallo and Rowena, master and mistress of the castle. Conan suspects Ragallo of being the Man of Iron, but later sees the Man in action against brigands, as Ragallo fires arrows into the fray. After nearly getting stuck in the suit, Rowena emerges; describing the suit as not sorcery, merely "cleverness and craft" and the work of a man named Wu. (I thought that was supposed to be a nod to Ho Yinsen of Iron Man's origin, but now I'm not sure.)

Rowena had been studying the armor, and had learned enough to build more of them. She wanted Conan to be her general, and looked like she was also going to sleep with him right there, before her brother shoots her in the back and takes the armor for himself. Enraged, Conan fights the novice Ragallo, positioning him so his attack launches them both over the parapet and into the moat, where Ragallo drowns before he can get out of the suit. Just that quickly, too.

I actually had to count how many pages that issue ran, since it was a bit slight.
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Monday, July 09, 2012

I am honestly surprised I haven't posted anything from this issue before, since I love it to death, even though I didn't really have it for years. Huh? Well, it's Warlord #4, "Duel of the Titans" by Mike Grell. Story, pencils, and inks. Love it.

The wizard-priest Deimos has taken over the city of Thera, and holds its queen Tara prisoner. Everything's coming up Deimos, at least until Travis Morgan, the Warlord, shows up outside the city's walls...with an army of former gladiators and slaves, equipped with "modern" war machinery: crossbows, catapults, and siege towers.

Deimos is not particularly worried by this, since this just gives him the opportunity to finally kill Travis, and to try out the power of the very nicely-bound "Scrolls of Blood." Tara, for her part, is neither impressed nor frightened; and has a somewhat annoyed expression like she's waiting for Travis to pick her up from work, and he's late. Still, Deimos is able to conjure up a giant horned demon out of smoke, which crushes a siege tower.
While something like that might usually be a problem, this was early on in the series, and Travis still had some gear left from his SR-71 Blackbird. Namely, a big chunk of plastic explosive intended for the plane's self-destruct. Charging up the remnants of the tower, Travis intends on blowing Deimos' head off with his Automag, but Tara is in the line of fire. Instead, he takes out Deimos' crystal ball-thing, disspelling the monster. Then, he hangs the plastic explosive on the castle door, runs for cover, then shoots it; and blamo. (We'll ignore the fact that for an explosive like C-4, a gunshot shouldn't set it off, even from a .44 AutoMag. Which is kind of an odd gun for an Air Force pilot to have anyway, but if I'm not mistaken, Travis was blowing punks away with it years before Dirty Harry!)
His forces routed, Deimos tries to sneak out with Tara, but is captured. At gunpoint he demands a fight, "Freedom or death! Tara encourages Travis to just shoot him, but Travis can't do that in cold blood, and agrees to face him. He orders the torches put out: "It is fitting that this prince of evil should die in darkness!"

Deimos holds his own for a bit, wounding Travis; but then it's on. Enraged, Travis forces Deimos back, into the eternal sun of Skartaris, where Deimos is killed. No spoiler, he'd be back--I originally read this in The Deimos Saga 100-page digest version, and this scene is maybe fifteen pages in. I don't know if Grell planned on Deimos's return from the get-go, but he would come back, um, five or six times, off the top of my head. (Sometimes, rather dramatically, sometimes just because.)

Even though sword-and-sorcery, adventure movies haven't done well at the box office lately (John Carter or the recent Conan the Barbarian) I'd love to see a Warlord movie. I don't know if Grell intended this either, but there's something quintessentially American about Travis: at his best in a tight spot, but prone to losing focus and wandering off: he's great at overthrowing the tyrant, not so hot at rebuilding society. (There's a reason his wife Tara usually greets his return with a punch in the face...)
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Friday, July 06, 2012

Over the weekend, among other books, I got a set of Harley & Ivy #1-3, script and plot by Paul Dini, plot and art by Bruce Timm, inks by Shane Glines; and this set was autographed by letterer Tom Orzechowski! Orzechowski has lettered about a bazillion comics, including about 6,000 pages of Chris Claremont's X-Men work.
This was from 2004, and I'm kind of wondering how I missed it, since I love Dini and Timm's Batman: the Animated Series work; and it's a lot of fun. Harley Quinn and Poison Ivy are best friends, even though they're nothing alike, don't get along that well, and probably shouldn't hang out. The "Odd Couple" dynamic is nothing new, but they make it look effortless.

Harley and Ivy try to steal a "Zombie Root" on display in Gotham, but Harley gets the nights wrong, and they run afoul of Batman. Thrown in Arkham, Ivy is blisteringly furious with Harls; but this sets events into motion: in short order, they escape, steal a cruise ship, make their way to South America to find the root, and end up in Hollywood to commandeer production of a movie about themselves.

A lot of fun; the only way this could be better is if it were longer.




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Thursday, July 05, 2012

80-Page Thursday: JLA Showcase 80-Page Giant #1!

GL vs. boy scouts.
In recent years, DC's 80-pagers have moved away from simple numbering, to going by year. I'm curious if there's any particular reason for that: were sales declining because of numbering? Is there a bump in sales for Justice League of America 80-Page Giant 2011 that you wouldn't get if it was #4? And that doesn't explain the title of today's book, anyway. From 2000, JLA Showcase 80-Page Giant #1, featuring stories by Dwayne McDuffie, Len Kaminski, Terrance Griep Jr, and more; with art by Ariel Olivetti, Bachan, Val Semeiks, Gordon Purcell, and more.

What makes this a "Showcase" rather than a regular 80-Page Giant? Um, team-ups? That and "The Century War" came out the same year, so it's just squeezing in another issue. While there are more than a few known names, there's also a fair amount of new talent trying out here.

In "Progress," Batman, Superman, and Green Lantern (Kyle) face the Hand of Krona, an alien cult that improves worlds, sometimes by force. Kyle was no longer the green rookie here; he'd been around long enough to recognize Krona's name: "Wasn't he the guy that almost blew up the universe?" The cultists are of the opinion that sometimes science involves breaking a few eggs, and there's no stopping progress; but they'd consider leaving earth alone if Kyle agrees to join them. (Interestingly, they don't want him for his ring: having the last GL on board would be a PR get.)

The JLA faces a crisis they weren't prepared for in "The Dogs of War." With the core team deployed, the only Leaguer available for monitor duty is...Plastic Man.

Although thought of as irresponsible by most of the team, Plas steps up as a one-man Justice League to stop an alien invasion. An alien invasion by relatively harmless dog aliens intent on improving their street cred, but still.
Batman scares a werewolf to death.  Pretty much.
Investigating the ruins of Eclipso's temple on the moon, Superman and Kyle find a "Space Wolf." I liked this one, but that may also be from fond memories of the werewolf-on-the-moon storyline from Scud the Disposable Assassin. Then, in "Communications Error," Steel and Aquaman don't have much in common, but come together when the Watchtower is threatened by the "Oblivion Meme."

In a satellite-era tale, Barry and Dinah face a troublesome fairy named Liverstains. Which sounds like fun, except he was promised a baby to eat. Or the Flash, either or. It's amusingly weird, more so than the next one, "The Flashback of Notre Dame," where Captain Atom takes a day off with his fiance in Paris, and runs into a mess of gargoyles. The issue ends with "Toy Story," as two boys have to outsmart a bully to get their action figures back. (Would a toy manufacturer in the DCU sell figures of Doomsday and the Joker? They are multiple-murderers...)

So, Showcase isn't as strong as the prior three JLA 80-Pagers, but not without its merits either.
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Wednesday, July 04, 2012

Midway through Avengers vs. X-Men...


I do give Cyclops a good deal of crap, but I have to admit, if he and the rest of his Phoenix 5 or whatever got all hopped up on power and decided to put humans in reservations (a word with slightly less negative connotations than "camps") I'd be hard pressed to fault him on it; since humans have pretty consistently been dicks in the Marvel Universe.

Hmm. That's an odd note for the Fourth, but have a happy and safe holiday!

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Why I'm not reading "Avengers vs X-Men."







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Tuesday, July 03, 2012

So, some movie opens tomorrow...

Or tonight, I guess, if you're going at midnight or something. Somehow, I would be more excited for The Amazing Spider-Man if the Lizard tried this:

From 2003, ToyFare #68, Twisted Toyfare Theatre, "A Lizard in Every Pot." By McCallum, Root, and Oat; with Aclin, Bricken, Patyk, and Guttierrez.

I'm personally not super-excited for the new Spider-Man movie, but I suspect that's because I was much more excited for Avengers or the Dark Knight Rises. Or maybe it's because Marvel...oh, Marvel. They're exasperating, at best; since I haven't been able to really enjoy about 90%, 95% of what they do lately. The Hurting's Tim O'Neil has a solid evisceration of AvX that hits some of the problems I have with Marvel lately. And I think a lot of Marvel's current output is probably fine, but the stuff that I don't like ruins the rest for me.
The only books from Marvel I'm currently enjoying are Garth Ennis's Fury (or "Fury MAX") and Rick Remender's Uncanny X-Force. Fury I'm loving so much, I'm afraid someone higher up at Disney will realize what they're publishing and pull the plug; while X-Force is good but not quite what I want it to be. Because I'd rather it was the Nightcrawler/Deadpool/Wolverine show; and it spends a little more time than I'd care for on Fantomex and Psylocke. (I do like that AoA Nightcrawler, more than once, has been shown at the verge of death, but refuses to quit, because he still has people on his kill list; and Wolverine is the one wondering if things have gone too far.)

I'm still hoping against hope that Avengers: Earth's Mightiest Heroes will keep going; but a recent episode made me realize I hate both the character and the idea of the Red Hulk. I had been ignoring him before...That, and over on Twitter, Evan Dorkin pointed out that Red Hulk might be the last big new (or "new") character introduced at Marvel, since creators are getting less anxious to sign their creations over to Disney/Marvel. (I suppose Red She-Hulk or A-Bomb might be "new" characters as well, but this is just making me sad.)

And Big Bad Toy Store revealed the figures for the third 2012 wave of Marvel Legends (although they don't know the Build-a-Figure yet) and I'm a little disappointed: another Iron Man, another Dr. Doom, another Punisher (or Blade). I could be persuaded on the X-Force uniform Deadpool, and I definitely want USAgent, but I'll have to see if the others really wow me.

So, I'm all cranky-pants. I'm sure I'll see Amazing Spider-Man sooner or later, though. How about you?

Oh, and I almost forgot: ToyFare #68 also featured one of my favorite short gags from the entire run of the magazine:

Featuring the 200X Masters of the Universe Buzz-Off, a figure I own because of the above...


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Monday, July 02, 2012

If you thought DC's continuity had problems...

DC continuity is, put charitably, a bit of a snarl right now (if Batman's only been around for five years, how do all three Robins fit in?) but it is a snarl of their own doing. Sometimes, it's easy for a writer or a book to be doing their thing, going merrily along; only to find out later that they're way off. Especially for a licensed book, but sometimes events still match up...from a certain point of view.

Our first example, Star Wars Annual #1, "The Long Hunt" Written by Chris Claremont, pencils by Mike Vosburg, inks by Steve Leialoha. Luke, Han, Leia and the rest are hunted (as you may have guessed) by the winged Kharys, the Majestrix of Skye; who has a history with both Han...and Luke's father.

During the Clone Wars, Obi-Wan Kenobi and his two pupils (the term "padawan" wasn't in use yet) freed Skye. Grateful, the people swore their fealty to them; but years later, former pupil Darth Vader returned, invoking their oath and making the planet an Imperial "satrapy." Vader trained Kharys, who was Force-adept but would've been considered too old for the training; and made her Skye's ruler. Years later, a group of Corellian smugglers was captured on Skye, then hunted down as sport: only Han and Katya M'Buele escaped.

Katya is later killed by a smoke demon summoned by Kharys, as she hunts Han down, but the people of Skye believe "the One" will come from offworld to defeat Kharys and free them. Recognizing Luke's lightsaber, they hail him as the One, and Luke does manage to defeat Kharys in an aerial duel. (It's drawn as if Luke electrocutes her, rather than the lightsaber chopping her and her wings to bits; then the bits falling out of the sky...that would've been a sick kill, really.)
The elder of Skye tells Luke about Obi-Wan's visit to their world, and how he and two pupils freed them then. It's implied that one was Luke's father, and the other was Darth Vader. In fact, when Luke asks who the other pupil was, the elder tells him "you wear his saber," rather then telling him, "Hey, that's Vader's saber? You know him? Right piece of work, he was..." Or, you could read it as Obi-Wan, Anakin, and maybe Ahsoka freed Skye; again, from a certain point of view.
But, if the Star Wars comics continuity got dicey with the movies overriding them (and for some years, the comics were considered continuity non grata, apocrypha) those are mere bumps in the road compared to Dark Horse's first Aliens series, renamed Aliens: Outbreak for the trade.
Ten years after the movie Aliens, survivors Hicks and Newt are both a mess: Hicks was badly scarred by an acid burn, and is treated as though he could somehow be infectious; while the now-young woman Newt is institutionalized, suffering with recurring nightmares of the Aliens. The third survivor of their ill-fated expedition is mysteriously unaccounted for...

Offered a chance to go on a mission to the xenomorph's homeworld, Hicks takes it, but also frees Newt before her scheduled lobotomy. Newt falls for one of the Marines, Bueller; but the mission is hijacked by another ship; a mega-corporation who plans on using the Marines as bait to find the next step up in the Aliens' food-chain...(There is a lot of work here on the hypothetical Aliens ecology, but that would assume they evolve naturally, wouldn't it?)

The corporate soldiers tried to use the Marines as facehugger bait, but the facehuggers don't bite; and the soldiers run afoul of other creatures that may or may not be modified xenomorphs. Instead of escaping, the Marines are compelled to go back for their former captors: the Marines, including Bueller, were all synthetic androids. Their programming wouldn't let them leave a human in danger, and Bueller is torn in half; forcing Newt to wonder if their love was real. That's actually a pretty good twist, and works well in-universe.

Events are further complicated by a corporation harvesting an Alien queen's eggs, a cult that believes the Aliens are some kind of savior and starting an outbreak on earth, the arrival of another alien resembling the "space jockey" of the first film...and Alien 3, which revealed that Hicks and Newt were both killed in coldsleep when their escape pod crashes on Fiorina 'Fury' 161. Which would put the kibosh on their further adventures...

So, when Aliens: Outbreak and its sequel Nightmare Asylum were collected in trade; they were "remastered," and colored in the case of Outbreak. Hicks was changed to Wilks, while Newt became Billie; two completely different characters that just happened to have had similiar adventures. Problem solved, right?
...except Ripley returns at the end of Nightmare Asylum, again contradicting Aliens 3. Unless maybe she was a clone, like in Alien Resurrection...but I don't know if it was ever brought up again, since Dark Horse began stories that were in an Aliens universe, but didn't necessarily use characters from the movies. That still left them plenty of toys to play with, and later they would add Predator to the mix, so it worked all right for them. Either way, these two trades are still fun reads, if you're a fan. Aliens: Outbreak has art by Mark A. Nelson, Nightmare Asylum by Den Beauvais; both are written by Mark Verheiden.

I had read them before, but lucked into the trades (a buck a piece!) at a yard sale this weekend, just when I'd been thinking I hadn't seen any comics for sale for ever. Oddly, I found three separate sales with books, two of which had longboxes of DC's old Star Trek...the vast majority of which I had, too. Still, I got a fair pile that we'll see more of later.


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Friday, June 29, 2012

Obamacare, Schobamacare.


Some helpful advice for a good weekend from Bruce Campbell and the comic adaptation of My Name is Bruce; script by Milton Freewater, Jr; based on a screenplay by Mark Verheiden, art by Cliff Richards.

My Name is Bruce isn't Mr. Campbell's best film, but it's still a lot of fun. When a small Oregon town is threatened by a demon, a fanboy orchestrates the kidnapping of his idol, Bruce Campbell, to fight the monster. Campbell, playing himself as a self-important lout, plays along since he thinks it's a birthday gag; until he realizes the monster is real. Will Bruce man up and defeat the monster? Against his will and better judgment, probably.
Got this issue for ninety-nine cents a week or two back (three months ago...) need to keep an eye out for the DVD now. I know I saw it on SyFy...back when it was SciFi, now that I think about it. Where does the time go? (For that matter, I wrote this post, with the same dumb title, some time ago, but kept rescheduling it. I wish I could say this was planned...)


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Thursday, June 28, 2012

80-Page Thursdays: Green Lantern 80-Page Giant #1!



We're coming up on a year worth of 80-Page Thursdays, and I still have some more to do, even though I sometimes hit an issue we've seen a bit from before. Like today's! Green Lantern 80-Page Giant #1, featuring stories from Ron Marz, James Robinson, Denny O'Neil, and more; and art by Tom Grindberg, Mike Mayhew, Dan Jurgens, and more.

Last year, we took a look at "Whatever Happened to G'Nort?" from Ty Templeton and Steve Ellis; what else does this one have to offer? Well, this was set when Hal Jordan was still the Spectre, and Kyle may have been in space; so John Stewart, Guy Gardner, and Alan Scott meet at Warriors to tell tales; even though Guy points out without Kyle around they aren't passing down any heroic legacy, they're just a bunch of old farts reliving past glories. Well, maybe.

James Robinson goes Golden Age with Alan Scott, as he tells of the moment he realized he loved his sometimes-sorta-villainess, the Harlequin. Right before he wouldn't see her again for three decades. That's not depressing. Next, in a Denny O'Neil story, John Stewart helps a race of alien slaves learn how to be free...

...by teaching them how to dig? OK, moving on. Beau Smith and Guy Gardner spin a yarn of jungle hijinks on an alien planet, with an uncharged power ring, then John (and Dan Jurgens) tell a Hal Jordan story: on a test flight, Hal is attacked by an alien that wants him, not Green Lantern! The alien's race is at war, and while they can build fighters, they can't fly it. Hal then helps the alien by augmenting their flying skills, even though he was mad at them just a moment ago, and did not do any sort of background check or anything. Seriously, the aliens could've been evil as hell, but Hal is seemingly more concerned that they be able to fly. Hmm.

There's a weird, and not great, anti-bullying tale with young Kyle Rayner; and the aforementioned G'nort/Catman story as well. Although the issue ends with the guys feeling pretty good about where they are and the legacy of Green Lantern; most of this issue is a little maudlin, and so much of it has been rolled back: Hal, Guy, and John are all Green Lanterns again, and Alan has been Sentinel and Green Lantern and older and younger. I liked the team-ups of GL 80-Page #2 better; now I'll keep an eye out to see if I can ever find #3. I already wanted it before I saw for the first story, "Synopsis: A manhunter lands on Apokolips and doesn't free the citizenry." Ooh, I'm sure it's not like I picture it, but still.
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Wednesday, June 27, 2012

Hulk smash!

Quick one today. But, aside from those little Avengers Chibis, I haven't bought any Avengers movie figures! Possibly because they're Wal-Mart exclusive, and I've only seen Cap and Iron Man yet. Will they be restocked? I wonder, but I don't know if I'd cough up full price for them anyway; if only because I have multiple Caps, Thors, Iron Men, and Hulks. We'll see...
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Tuesday, June 26, 2012

"Better than rock-paper-scissors, but not as decisive."


There are few constants in life. But these should be. Captain America's shield: indestructible. Thor's hammer Mjolnir: indestructible. The Silver Surfer's board: indestructible.

...for all practical purposes. (Some writers seem to prefer the Surfer's board as less a physical object, more like energy manifested by the Surfer. Which would also be unbreakable.)

Maybe once in ten, fifteen years; a story will come along as acceptable for the unbreakable to get broke: Cap's shield shattered in Secret Wars? Dramatic! Cap's shield broken in Waid's run? A mystery...resolved with asspull, but still interesting. Cap crying over his broken shield in Fear Itself? Did that even happen, or it was symbolic?

Likewise, for Thor, there was an old DeFalco/Frenz story, where Thor breaks a good chunk off his hammer trying to stop the Celestials from destroying a planet. (Or something, I'd have to find Thor #388-389.) And I think a chunk was broken off again in Thor #600, wherein Thor is manipulated into fighting his grandpa...look, all I really remember of that ish is the Mini-Marvels strip. And Mjolnir's Wikipedia page mentions a few more breaks as well.

Off the top of my head, we saw Firelord smash the Surfer's board in Silver Surfer #146, for one. The board blinks out in Silver Surfer #40 when the Surfer is cut off from his cosmic power; and we saw the Hulk give breaking it a try in Incredible Hulk #250.

Thanos shatters Cap's shield in Infinity Gauntlet, and I almost thought he broke Mjolnir and the Surfer's board there too, but maybe not. The trifecta, all three were destroyed by the Molecule Man in Avengers #215! Then reconstituted the next month in #216.

With the exception of Fear Itself, what do most of these occurences of unbreakable breakage have in common? They weren't hyped events. A lot of them aren't even on the cover! And now Marvel's trotting them out as if they were the most monumentally dramatic moments ever, even though it has been only a couple of years since the last time it happened. In point of fact, Mjolnir breaking or Cap's shield being smashed, are about as exciting as the big reveal being Dr. Doom was a robot the whole time!

Topless Robot pointed out the broken Mjolnir teaser, but only as an afterthought to a discussion of DC's new 52 and George Perez quitting Superman. Rob takes the tack that DC's ongoing disaster is at least more novel than Mjolnir breaking again; well, maybe.



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Monday, June 25, 2012

Fun, yet sad:


So, I got all four issues of Indiana Jones and the Tomb of the Gods a couple weeks ago; out of the dollar box at the comic shop after seeing Avengers again. (Actually, before: I had free tickets, so got the 3D showing, but had to kill like three hours in the mall with the Youngest...) Story by Rob Williams, pencils by Steve Scott, inks by Nathan Massengill. Oddly, Scott would do the first three issues, then Bart Sears would do the fourth. It's good, but I don't know why the change.

It's a perfectly fine Indiana Jones story, possibly the best Indy I've seen in comics. (And it might've done better if they had gone all out and called it Indiana Jones and the Tomb of the Great Old Ones.) I'd absolutely recommend it--in trade. I don't say it very often, but go trade rather than single issues. Why? Because this was published as part of a big push for Indiana Jones and the Temple of the Crystal Skull. In the first issue alone, there are five ads for Indy stuff, most of which is probably remembered as fondly as Crystal Skull itself. (In fairness, I thought it was OK, but only OK; and I do feel bad for those who didn't enjoy it even that much.)

By itself? Good. With the ads and baggage and such? OK.

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Friday, June 22, 2012

After a bazillion words on Blind Justice...

...we'll take a bit of a breather, with Kyle Baker's Batman tribute from Detective Comics #599. Have a good weekend!

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Thursday, June 21, 2012

80-Page (ish) Thursdays: Detective Comics #600!


The GCD claims this one is 84 pages, but we're going to count it: Detective Comics #600, "Blind Justice, part 3 of 3" Written by Sam Hamm, pencils by Denys Cowan, inks by Dick Giordano and Frank McLaughlin.

Accused of treason, and in a coma; yet things just got worse for Bruce Wayne: Henri Ducard's flight just got in. In just two pages, Hamm absolutely sells how dangerous Ducard is, although he seems to have a certain mordant humor. He wonders, if Bruce doesn't survive, did he waste a trip...?

Meanwhile, the homeless man formerly known as T-Bone is wanted for shooting Wayne; but is now unrecognizable in a suit and cleaned up. Dr. Harbinger took control of his body and set up permanent residence; and having set aside funds in advance, is doing just fine. Next on his agenda: revenge, on his former backers the Cartel.

Bruce wakes up in his hospital bed, with Alfred, Roy, and Jeannie by his side; but says nothing here. As he listens to a doctor tell Alfred about the pins in his hip, Bruce can see the Bat-Signal going unanswered. Gordon makes arrangements for Batman to get public credit for a bust, to cover for his absence. Ducard sees the headline the next day, just as he's wondering how to amuse himself while Bruce recovers.

At Wayne Manor, the feds are running another search of the place, and at least some of them appear to be in with the Cartel, since they're looking not for proof of treason, but for the Harbinger tech. While trying to clean up, Roy accidentally opens the door to the Batcave; as Bruce and Alfred are pulling in.

Meanwhile, Ducard is researching Batman, and doesn't seem impressed:


Jeannie is left upstairs, wondering where the hell everyone is, while Bruce asks Roy to keep this cave business under his hat. Roy wants to help, be Bruce's legman, but Bruce says he wouldn't know a clue if it bit him. But Roy says he might, with the right pilot; meaning Harbinger's gear.

For his part, Harbinger has improved said gear dramatically; no longer needing implanted biochips to induce "more exotic neurological dysfunctions." He has a few laughs using his synaptic field disruptor to convince strangers to give him money, before going "full blast" on one of Riordan's hired goons, paralyzing him completely.

The still-oblivious Jeannie is trying to help Bruce and sort through her own feelings; while Alfred and Roy test out Harbinger's gear. Bruce does not approve as Alfred walks around in Roy's body, but Alfred seems to feel desparate times, desparate measures. Later, Bruce takes Roy out as Batman, a "token appearance to allay suspicion." Gordon is suspicious that Batman doesn't come closer, but appears placated when "Batman" recognizes by scent that Gordon isn't smoking his usual brand of tobacco. He helps capture an escaped thug, but while Roy might be in OK shape, he's not in Batman-shape.

Ducard visits Riordan with his own suspicions, and recounts how a young Bruce wanted to apprentice with him, to learn to penetrate the criminal mind. He notes that even then, Bruce had the deductive and martial arts skills, but no understanding of a criminal's motives. They worked together trailing a terrorist, but Ducard shows Bruce the line he won't cross; by shooting the terrorist rather than arresting him. Bruce left Ducard then, but he knows Bruce wouldn't give up his goals after all that training, and must therefore be Batman. Riordan says great theory, but Batman was seen yesterday, smart guy. It takes Ducard a few minutes to remember Bruce could have the Harbinger gear...

Speak of the devil, Harbinger visits Riordan, using his disruptor to make him "the moral equivalent of George Washington: you cannot tell a lie!" Harbinger also tortures and cripples several of Riordan's goons, so you know he's just as bad, if not worse; but it's not necessarily hard to see how a formerly wheelchair bound man might abuse a newfound power.

In the Batcave, Bruce plans to use the Harbinger gear not on Roy, but on another frequency, for one of the many other biochips out there. Channeling into a "volunteer Bonecrusher," Bruce watches Harbinger questioning Riordan. Harbinger loads up a batch of equipment, and tells Riordan to get him the details on the Cartel. Bruce plans to jump Harbinger, but as Bruce's body appears to twitch and shudder like a seizure, Alfred panics and changes the dial of the machine, putting Bruce into another body. They also discover Harbinger must have disabled the chip in his new body, to prevent anyone from overriding him. Still, now Bruce knows what he looks like.

Bruce and Alfred are interrupted by a visit from Ducard, who offers Bruce a chance to pay him off. He'll change his story, and cough up his knowledge of the Cartel, and all he would need would be cash and a new body via Harbinger's machine, which he knows Bruce has used to play Batman. Bruce says nothing, and Ducard gives him time to think it over.

The end approaching, Bruce sends a sketch of Harbinger's new face to Gordon, then as Roy tells Jeannie not to fall for Bruce. Riordan is getting worked over by the Cartel for losing the equipment, and they don't believe Harbinger's alive; but he still can't lie. With his new face outted, Harbinger is forced to jump to a new body, leaving a bomb to destroy his old one and his gear.

In Roy's body, Batman hits the Cartel's secret lab, where Harbinger has taken a Bonecrusher's body, and has several more for backup. Using his synaptic disruptor, he plans to unmask, then kill Batman; but since Roy is "remote-controlled" the disruptor doesn't work. Batman fights the lot of them, as Harbinger tries to get away.

Now, here's where this one gets tough for me. Harbinger leaps to the elevated train tracks. Batman follows, but either lands wrong or a plank snaps, breaking his ankle. Harbinger turns to finish Batman, and Bruce realizes it's the same body he controlled back at the lab, when they were testing the machine. Screaming to Alfred through his communicator, Bruce has him change the biochip frequency so he leaves Roy's body and takes over the Harbinger/Bonecrusher.

This puts Roy back in charge of his body, confused, untrained, and in pain; as a train is headed down the tracks. Bruce tries to get to Roy, so they can use a cable from the utility belt to get away, but all Roy sees is a Bonecrusher that he thought was Harbinger, and he tries to take him with him. Hit by the train, both fall several stories, to their deaths. Shrieking, Bruce returns to his own body.

As Gordon and the police find "Batman's" body (and the documents exonerating Wayne) Bruce has to tell Jeannie what happened to her brother. Even though Roy knew what could happen to him, Jeannie is less than understanding. She won't tell anyone about what she knows, but she is done with Bruce, telling him to "Burn in hell" as she leaves. (I mentioned that the middle chapter maybe could've stood to be 80-pages like the others, and that might've fleshed poor Jeannie out a bit: she basically there to fall for Bruce then dump more guilt on him.)

Along with the evidence Harbinger gathered to use against the Cartel, the feds have a star witness: Riordan, who still cannot tell a lie, and spills on their activities. Ducard doesn't get to testify against Wayne, however he was going to play that, but he does pick up a paying gig: assassinating Riordan.

Alone, save Alfred, Bruce continues his painful rehabilitation; and is visited by Commissioner Gordon, who wants to ask how Bruce's guest Roy ended up in a Batsuit. Gordon saw Batman and Roy together, and knew they couldn't be one and the same, and also knows Bruce won't really answer him. He offers an out: he could keep quiet, let the world think Batman was dead. He also surmises that Batman must've used Roy as "some kind of pawn" to get Wayne off the hook, and must be feeling "pretty low" right now. Has Batman earned a rest? Bruce tells Gordon it's his call. Tellingly, Gordon says "Get well soon."

Ducard is forced to leave the country after his job, but writes Bruce a little note, letting him know how impressed he was with his solution: sacrifice Roy to get Harbinger. Ducard also knows Bruce's other secret, but they can talk about that some other time.

In the cave, Bruce has Alfred torch Harbinger's machine. Roy Kane enters the ranks of the dead that Wayne trusted and trusted him, specifically the recently deceased Jason Todd. (Like Stephanie Brown, Roy never got a display case, either!) Bruce's nightmare haunts him now asleep or awake. Why? The answer strikes Bruce: "That's how Batman wants it." Batman's job is to help the weak, and mete out justice: "We get what we deserve." But, if there was justice, Bruce wouldn't have to suffer like he does, he wouldn't have to be Batman.

Although Ducard made his way into the regular continuity, the rest of "Blind Justice" is almost apocryphal. Maybe it's because Hamm was a screenwriter, and this could be seen as fitting in more with a movie-Batman than the traditional comics version; I kind of do. But, more likely writers had a hard time reconciling a Batman that's lost another soldier and a Gordon that unambiguously knows Bruce Wayne is Batman. How many Robins or Roys could Bruce lose and keep going? Is Bruce subconsciously willing to let people die to protect his secrets? Does he still have secrets, since at least two more people know by the end here? It also occurs to me that Jason is mentioned here, but Dick is never mentioned; and you have to figure he would've at least offered his support. Still, there's enough going on already without that.

I'm not positive Roy deserved the trophy case treatment like Jason Todd had; but he does make yet another "Batman" corpse in the streets of Gotham.
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Wednesday, June 20, 2012

"Doom Oversight."



Duhr, I thought I had actually written something up for this after posting the photos and scheduling it. No.

The Chief there is an X-Men movie Professor X, with the DC Direct Starman head. This wasn't my idea--I'm 75% sure I got the idea from the Fwoosh, but Dale pointed out a better setup using a Walter Peck/Ghostbusters head. The latter would be a bit more expensive set-up, since Walter was a $20+figure, but the head probably wouldn't just sit on putty...

Depending on when you read Doom Patrol, the Chief is either a benevolent taskmaster, who organized the freaks of the Doom Patrol and gave them a mission and a reason to live; or a Machiavellian bastard, who may very well have manipulated several of the accidents that caused the Doom Patrol. His name may or may not be Niles Caulder, he is possibly immortal, he may or may not be married. Even the nicer versions of the character have shown him to be incredibly adept at emotional manipulation, as he can almost always guilt Cliff, Larry, and Rita into doing whatever he wants.

I admit I'm more used to the nicer versions of the Chief--which would probably be the original "My Greatest Adventure" era and Byrne's--rather than the more morally dubious takes of Grant Morrison or post-Infinite Crisis. In the most recent Doom Patrol series, he seemed a well-intentioned megalomaniac who went more and more off the rails over time.

I thought we had seen Niles in passing fairly recently, but I'd have to double-check. Still, we may be coming back to that, as I may finally have a figure I needed for the next "Doom Idol." We'll see...





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