"Taken."

I don't love this one, because it ran afoul of my staging: Longshot's unconscious ass was on the farthest edge of stage left. (From the point of view of someone facing out at us!) Without breaking up the set, I spent a lot of time trying to finagle a shot from the other side of the bar shooting out; which was difficult because of the placement of the figures, focus, and that such a shot would also include most of my living room! It's something that comics could do easily, but in movies I believe it would be considered breaking the 180˚ Rule. (Stephen King mentions breaking the rule when he was directing Maximum Overdrive, out of ignorance; that's an interesting read there.) Long story short, I ran out of interesting angles or shots for Satana and Dazzler to talk over Longshot.

I wanted to get at the idea that Longshot might be as guilty of toxic masculinity as most superguys; that he decided to forget his wife and kid, under the notion that he'd be better able to protect them. I think this is technically accurate: Longshot leaping into action to protect strangers, would be a noble act, and his luck powers would kick in. Protecting his family, however, would somehow be considered a selfish act, and his luck would not only not work, it may backfire completely. This may make Longshot a more tragic character, or more of a dumbass. Or both? 

In the words of the great Evan Dorkin, "Don't drink Zima! It zucks! And it's made by Coors!" That said, I'm positive I've had it at least once; but I think I drank wine coolers for a ridiculous amount of time, so as usual, my taste is questionable.